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Poetry : English 11609 Readings
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Endre Farkas: Poems
By Endre Farkas


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September 11

 

I remember not paying much attention to it.

It seemed so far away, and anyways

I was caught up in my life,

of wanting to change the world.

 

Later, about ten years later,

over beer and cigarettes

in some all night bar

it hit me. He told me.

 

Later, much later,

I went to see for myself

his homeland where many are free

to sleep on the street and thousand dollar shoes

are free to step over them.

 

Now I can’t forget, I see it everyday

in the nightmare eyes of my amigo

the day of the coup

dictated by the USA

order rolled into the cities

bullets flew like airplanes

and people and freedom

on September 11, 1973

toppled like  two giant buildings.

 


Winner of the 2007 CBC Poetry Face-Off in Quebec

 

 

O!O!OH CANADA

 

O!O!OH

Canada!

Our home, not our natives’ land

 

Let us rise and be worthy of our forefathers—

whose noble courage their hearts did fire

whose mercantile masters their pockets inspire

who left far behind their native shores

and braved the perils of the stormy seas

in search of tea, of spices and nubile Asians

to seek the northwest route to China

but settled for Lachine.

 

Let us rise and be worthy of our forefathers

whose boats brought guns, rats and diseases

to this quelques arpents des neiges

to this land that God gave to Cain

who first bravely met the pagan Savage

and for God, King and country, toked peace pipes,

planted crosses, lied, signed and broke all treaties

to steal this land for you and me—

For again we need to stand on guard for thee.

      

O!O!OH

Canada!

True patriot love in all thy sons command.


Let us rise and be worthy of our French forefathers

who are now famous streets, parks, and bridges

who brought over those filles du roi to fill the cribs

with future first-round hockey picks

and those coureurs du bois whose great skills: snowshoeing,

paddling, portaging, smoking, drinking, singing,

spitting, telling tall tales and making babies

were surpassed only by their passion for chasing beaver.

 

Let us rise and be worthy of our English forefathers

who were famous streets, parks and bridges

whose accounting Scots kept the books and cash

in immaculate, pillared banks

whose starved-out Irish filled the factories,

taverns, churches and obediently, annually

made a fresh batch of babies

For again we need to stand on guard for thee.

 

O!O!OH

Canada!

With glowing hearts we see thee rise

 

Let us rise and be worthy

of our anthem that we do not know,

of our history that we do not know

of our geography that we do not know

of our languages that we do not know

of our arts that we do not know

of our culture that we do not know

of our immigrants that we do not want!

              

Let us rise and be worthy of our Queen

who graces our stamps and our money

of our Governor General

who licks and spends our Queen        

of our Bloc Quebecois

who Caisse-Pops our Queen

of our Liberals

who pork-barrel our Queen

of our NDPs

who would socialize our Queen

of our Conservatives

who are afraid of our Queens

For again we need to stand on guard for thee.

 

O!O!OH

Canada!

From far and wide,

 

Let us rise and be worthy of our too few rich

of our few too powerful

who would be our leaders

whose ships fly foreign flags

whose factories are erected on foreign shores

whose profits are in foreign untaxed shelters

whose exploited foreign workers

dream of coming to these foreign shores

to be free and to do the same.

For again we need to stand on guard for thee.

 

O!O!OH

Canada!

The True North strong and free!

 

Let us rise and sit and be worthy to watch                                                        

ABC, NBC, CBS, PBS, CNN!

and listen to

ABC, NBC, CBS, PBS, CNN!

and obey

ABC, NBC, CBS, PBS, CNN!

 

Let us rise and be worthy of America selling us the American Dream

of America deep frying us into Ronald McShits

of America clawing up our minerals

of America chewing up our forests

of America sucking out our oil

of America guzzling down our water

of America kidnapping our citizens to be tortured   

For again we need to stand on guard for thee.

 

O!O!OH

Canada!

God keep our land glorious and free

 

Let us rise and go then you and I:

Autochthones, Francophones, Anglophones,

Allophones & mobile phones

 

Let us be Johnny Canuck terrorists

Let us be armed to the teeth

Let us use our weapons of mass destruction

Let us start a Jihad after the playoffs

Let us make them drink Newfie Skreech,

Let us castrate them with PEI lobsters

Let us bust their eardrums with Nova Scotia fiddlers

Let us whip them with New Brunswick fiddleheads

Let us cholesterol them with Quebec poutine

Let us give them the Maple Leafs

Let us blast them with Manitoba winters     

Let us pelt them with prairie oysters

Let us stone them with BC pot.

Let us put on our Yukon mukluks & Northwest toques

Let us saddle up our Royal Canadian Mounties

Let us mount our Bombardier skidoos &

bravely, without our passports, ride proudly

into the declining Empire’s headlights.

For again we need to stand on guard for thee.

 

O!O!OH

Canada

Let us stand on guard for thee

 

O!O!OH

Canada

We stand on guard for thee

Hostie

 


Canada Day

It was mosquito season in the land of plenty

at the cottage by a lake in the Gatineau hills.

And I felt like an intrusion in a Tom Thompson painting.

 

It was Canada Day. The CBC said so.

And thus, in honour of this, they

would only play the music of this great land.

 

Oh Canada!

All this made me feel like canoeing;

to see, on her  birthday, a Canadian sunset.

 

I paddled along the lakeshore,

the canoe gliding like a line of lyric poetry

and saw things I could not name;

 

things green and wet and slimy

and sounds of lapping, slurping and burping,

which made me think about the nature of things.

 

My wonder and reverie ended at a beaver dam

that stood on guard at the mouth of the marsh

as majestic as any Keep.

 

I entered the marsh in awe

of the imagination and the ingenuity

that made this lushness and rot.

 

Water lilies beyond similes

embracing the canoe with her green welcome

and the paddle with her thin entwining smile.

 

Elegant marsh grass, sharp as razor blades,

danced with the grace of Fred Astaire,

across the shimmering stage.

 

Trees, long dead, stared down in bleached bone silence

and the laced uprooted roots of the fallen

were the temple gates to another garden.

 

On these grew cool spongy mosses,

soft enough to be diapers and menstrual pads,

by nature savy natives

 

And among them grew carnivorous plants

with seducing blood-tinged lips

whose sweet breath no insect could resist.

I watched one struggling to get unstuck,

As dinosaurs might have been in tar pits, 

Struggle against fatigue, give up and be still.

 

I was in shallow waters where navigation is tough

and canoes are good for getting stuck on fallen logs

and paddles for tangling among the lillies

 

I tugged and shoved with city clumsiness

and disturbed a bittern who beat its wings

in a great show of come and get me.

 

Her bravado,

her huffing and puffing of her chest to distract me

from its eggs was most primal parental.

 

I turned and slipped from the marsh

and came across a family of loons, whose

eerie tremolo rippled across the lake.

 

In a gesture of peace, I pulled in my paddle 

and listened to it skip across the mirroring lake

and disappear into a brilliant sunset.

 

I floated between sun and shore,

from one came reflections, from the other

Guy Lombardo and His Royal Canadians.

 


 

Love in Quebec

 

Love au Quebec

n’a jamais été

un simple proposition

supposition

condition

or position.

 

Amour in Quebec

A toujours été

bipartisan,

bicultural,

bicameral,

bipolar,

bilateral,

and a bilingual

Plaine d’Abraham.

 

Oh mon amour

I try hard to be

part of your futur anterieur

while you struggle with my participe passé

but it has always been imparfait

and we never get past the conditional.

 

Oh love

I mispronounce my intentions.

I try to French you in English

to tongue your impossibly beautiful

vowels and consonants

but more often than not get lost

in your multitudes of exceptions

and sultry syntax.

 

Mon amour

Comme preuve de mon love toujours

I portage your saint crazy labyrinths

seek your passage Nord-Ouest,

your east and west ends

but your morphed street names

only land me in your cul‑de‑sacs.

 

And in my colonial zeal

day and night have lustful thoughts

about your splendid seigneuries,

rich furs and syrop dérable succulant.

 

Oh love

I try to love your missionary ways;

your complex des martyr

that tie us to crosses and bed posts.

 

On my knees, I scale those Oratory steps

to ask for the miracle of our union

only to find myself in a room full of crutches,

wheel chairs, en solitude and heartless.

 

Oh mon amour

Comme un maple leaf Romeo

I place you on a pedestal,

I kneel beneath your fleur-de-lys draped balcony;

at the foot of your sensual spiral staircases

so that I might look up your joie de vivre

but your je ne sais pas quoi

always eludes me.

 

Oh mon amour

Yes, Oui, I confess in every corner church,

beneath the mountain’s cross

and in Westmount’s only dépanneur

that I never take you to your fêtes nationale

or play your spoons.

 

But je me souviens

you never ask me to dance

under the full clair de la lune

on Canada Day.

 

Oh mon amour

I watch my Ps and Qs

and when younger and more brave

j’ai voté pour ton independence

That should count for something.

 

Oh love

I call you on my Allophone;

J’écoute  to your beep sonore

and get tongue tied in both official languages.

 

Oh mon amour

I know I am not easy to live with.

I, too, am set in my ways and traditions

which you see as plat comme roast beef

And sensible shoes.

 

And I know that my commitment

is filled with words like “perhaps” “peut être

and “royal commissions”.

 

Oh love

I know that you and I mean different things

when we say “phoque”,

“Québec”, “Kweebek”,

“Canada”, “Oui” and “No”.

 

And yet when I’m far away:

in Cornwall, Moose Jaw or Victoria,

I feel comme un  étranger and passionately

defend your passionate positions.

 

Un bec, deux becs

Love in Québec

is a two cheek affair in chic cafés

of croissants and cappuccinos,

and smoke‑blue Gauloise air.

And we are always parting,

and always leaving behind crumbs,

full ashtrays and bitter aftertastes.

 

Oh love

for you j’ai abondonné mes apostrophe,

subscribe to Le Devoir and Allo Police

and enrol my future in immersion classes.

 

Oh mon mour

I wear my heart on your hockey sweaters.

I bring you bouquets of Ken Drydens and Larry Robinsons

but you only want Rockets and Lafleurs.

 

I place my heart in your armoire

so in the morning you may see

amidst your cashmeres and pure laines

that I do love you after my own fashion.

 

Oh love

Let me say in my imperfect joual

that when you say “je t’aime”

candles glow more sensual

Beaujolaies deviens plus aromatiques

and even poutine becomes edible.

 

When you say “je t’aime”

Chibougamou gets warmer

and I feel shivers up my Baie Como.

When you say “je t’aime”

ice storms become romantic

and even the electricity gets turned on.

 

Oh love

Say “oui, je t’aime”

and I will say “yes, I love you”

on deviendrait le verbe “aimer”

and we will conjugate our way into heaven

et on parlerait l’autre language.

 

Love/l’amour,

It’s as simple as that.

C’est tout

That’s it

That’s all. 

 


What Unites Us?

 

I am glad that this commission is ending on this question. We have heard throughout these hearings what makes us different-from the sublime to the ridiculous to the outright stupid and dangerous.

 

I have followed the hearings from a distance and with interest that has waxed and waned and mainly through the media whose motto is if it bleeds it leads.

 

It seems that we have heard from every interest, which makes this hearing in particular and democracy in general, interesting. However, one group I have not heard from which surprised me, are the artists, those supposed antennae of the world, those unacknowledged legislators of the world, those whose visions supposedly outlasts the mundane, the quotidian, the mercantile and the religious. But we have been silent, perhaps because we artists tend to see in and through our work more what unites us than what separates us. But perhaps because artists in Canada are not very engaged with other then themselves or because they do not want to rock the boat for fear of losing government patronage/grant. Since I do not really care whether I get the occasional meagre grant or care if my employer is upset or not, I, not as on behalf of artists but as one want to take this opportunity to say a few words on this closing theme.

 

Accommodate This

 

What unites us is that miracle, that curse—

birth

What unites us is that miracle, that curse—

death

What unites us is that miracle, that curse—

the time in-between we spend upon this globe.

 

All living creatures come

from the union of male and female

from union of opposites

from the yin and the yang

from the little and the big bang

we all do.

 

Like all creatures,

we creep and crawl

cry for food, shelter,

protection, comfort and love.

 

We all struggle to survive;

it’s an instinct

all living things share.

 

But we humans

have evolved

to consciousness

 

we know there was time before us

we know our time is now

we know there will be time after us

 

and this consciousness

gives birth to questions

who, what, where, why, when,

and these questions

give rise to fears

stories,

myths,

gods

religions

to soothe our fears.

 

So, we create

Manitou,

Krishna,

Kali,

Buddha,

Yahweh,

Allah

and a million others.

 

And we are united

in the belief

that my god, your god, his, her,

our, their gods

want us to bow

to the East, West, North or South

to wear a yarmulke, a burka, a kirpan, saffron robes,

to grow a beard, shave our heads,

to oppress, rape and stone women.

 

This unites us and we know that

"my god is better than your god"

"my god can beat up your god"

and "Nanyanana"!

 

And if you don’t believe it

I will kill you to prove it.

 

We are the big enders willing to kill the little enders

and vice versa;

gods willing.

 

What unites us is our belief

in our differences,

in our separateness

in our superiority

in your inferiority

 

And if you don’t believe it

I will kill you to prove it.

 

What unites us in our ignorance and intolerance

What unites us is our stupid willingness

to listen to those who

appeal to our base fears

and encourage us to seek separateness, and revenge.

 

What unites us is the encouragement

to live unexamined lies

about gender, race and colour

 

What unites us is the encouragement

to live in ghettoes;

apart from each other

to remember the myths and memories

of who did what to whom

hundreds of years ago,

to remember it now,

here and in places far, far away.

 

What unites us the encouragement

to continue our brutal and deadly ignorance.

 

What unites us is our fear of each other

 

We have heard from Horny Hasids

from Masked Muslims

from cross dressing Christians

and others about accommodations,

reasonable and surreal

so I make mine.

 

Listen,

we are not

Autochtones, Francophones,

Anglophones, Allophones,

Telephones, Saxophones.

 

We are not

Christians, Jews,

Muslims, Sikhs, Buddhists,

Jannists, Pagans, Atheists,

Nudists.

 

First and foremost

we are human beings.

 

Do not all human beings have eyes?

Do not all of us have hands, organs,

dimensions, senses, affections, passions,

fed with the same food,

hurt with the same weapons,
subject to the same diseases,

healed by the same means,

warmed and cooled by the same winter and summer?

 

If we cut each other, do we not bleed?

If we tickle each other, do we not laugh?
If we poison each other, do we not die?

 

I am not just an old hippy-dippy dreamer

who lives in a utopian purple haze.

I am not a naïve poet

removed from the greed driven,

unjust world.

 

And no I don’t expect my words here

to change the minds and hearts of the

intolerant, fanatical bigots

(I hope but don’t expect it)

but when I look back throughout history,

the ones who seemed to have made the most impact

are those who dared to look beyond

the daily narrow ghettoes of their mundane minds

and in their arts and hearts

saw the world in a grain of sand,

heaven in a wild flower,

eternity in the palm of a hand

and infinity in an hour.

 

They saw the horror

the stupidity, the ignorance of what united us

and saw a greater unity

 

they saw our ability to show mercy

or what mercy really is-empathy.

 

Empathy is to feel for others;

and because we are all human

all of us have it in us.

It is not manufactured

indoctrinated

or god given

 

it comes from within us

like the gentle rain from the sky.

It is twice blest.

It blesses those who give it

and those who receive it.

 

And when we practice empathy,

we become not just hyphenated Canadians

but just rulers of ourselves

a just society

and caring citizens of the earth.

 

Ultimately we all go back to the earth

and there united

give ourselves back to it and

accommodate all those

who will live after us.

 

I would like to close with a quote by the Canadian poet F.R. Scott

Creed

The world is my country
The human race is my race
The spirit of man is my God
The future of man is my heaven.


Summer Solstice 2006

 

There is a gathering of spirits

in a garden in Griffintown

among the rusted candelabras of the imagination,

the Aztec stairs that are altars for tropical plants,

the blossoming cheek-pink rose bushes in the corner

and the sweet smell of horseshit wafting

from the Montreal Horse Palace next door.

 

The treasures and the knick-knacks

which were the same in her palm,   

she, who gathered us on solstice past

in celebration of sacred dragons, profane goddesses

and comet wine in bawdy poems and earthy songs

and now too soon gone,

are laid upon the moon-round white table

for all to see beneath the darkening shortest night.

 

In candle light, after her eagle, turkey and pigeon feathers

are strung and hung from the branches, clothesline,

and go-go girl cages until next Halloween

when the souls of the dead rise again,

rattles, baby teeth, plastercine creatures

and the ABC of witches’ names and Aladdin’s lamp upon which

we dare not wish and the last fortune cookie’s unlistened to advice

“stop searching forever, happiness is just next to you”

is now her heirlooms to choose from.

 

The spirits high and fed on sacrificial lamb chops, humus

and good beer, accompanied by her guide and guitars, sing  

songs for weeping and laughter, recite poems of freedom

and songs that float on the sweet smell of horseshit

over the fences, down the streets and into the dreams of

sleepers in Griffintown who will wake tomorrow

and for a moment wonder why their eyes are open wider,

why their hearts beat like laughter,

why their steps seem lighter as they set off to work,

and why their hard day seems just a bit shorter.


Hiroshima Haiku

A baby wakes up.

A mother goes to comfort.

It is August 6th.


 

Instruments of Resistance

 

Guitar strings of barbed wire

stained by the blood of resistance

toughen the song’s words

carried by voices flying free from cells

across the sky into clouds

before the storm

 

Flutes of fiery lips

filled by the lungs of spring

carry the melody of dreams

into the arms fully loaded

across the sky into raised fists

for the storm.

 

Voices of just heartbeats

beat rhythms of freedom

through the prisons of history

breaking the chains of treachery

across all lands into the sky

as the storm of victory

 

These are the instruments of resistance

people around the world are learning to play


 

Radio Resistance

For all prisoners of resistance

 

In prison you are stripped of clothes

to strip you of dignity, of choice, of art.

You are left only your naked body,

belief and imagination.

 

So you make them your food of resistance

and fast and starve them of their power

of deciding when and what you eat,

of pissing into your meals.

 

So you forge instruments of resistance:

bed legs into percussions, bed springs

into strings and paper into winds

and torture them to confess their impotence.

 

So you become radio resistance

and your broken window speakers

that broadcast songs of freedom

across the prisonless land.


 

Homo Ludens            (Playful Humans)

(Winner of the CBC Face-Off Poetry competition 2005)

 

1

We begin in play,

even before becoming,

because, in a playful moment of pleasure,

two play at becoming one.

 

And out of two becoming one

we become one;

another in another and

out of another we come

ready or not.

 

2

We play tag with our toe-toes,

we giggle and gurgle and everyone goes

kitchee-koo and gaga

over us

playing with sounds

like fluffy toys,

like good to gum

like round and loud

like goo-goo

like a bounce off the ground

like playing peek-a-boo with ABCs,

and syllables: ma ma, da da;

so surreal, so we play.

 

Buckle my shoe

 

3

We play with words;

tongue-taste them,

like first steps, teeter-totter thoughts

and before you know it we’re off to the races;

cat cradles of “whys?” spring criss-cross

across what were, till then,             silent spaces.

 

We play with words;

turn them like skipping ropes:

in rhyme, in time, in sing song;

turn them like pages of the ages of the child;

a story of  once upon a time.

 

We play with words like swords,

swashbuckling life in traffic jams,

first for pretend and then for real.

 

And didn’t mommy tell you to not play with sharp things.

 

4

Play                 

 

with expectations.

 

Your teeth are like stars

 

they come out at night.

 

Shut the door.

 

5

Play 

precultural,

prehistoric

 

all of us on all fours

chasing our tails, raising our paws

baring our teeth in mock attack,

playing at playing

playing at hunting,

gathering

rolling in mud,

rolling sticks

throwing stones,

playing at war

 

6

Play pick up sticks

and build a world or two

and when no longer fun

knock down some.

 

Sticks and stones will break your bones

 

or build bridges.

 

Be careful how you play with them

They can stick it to you.

 

So much

depends on the way

we play with sticks.

7

Play with fire

light the night

Play with fire

warm the winter,

Play with fire

feed the need

Play with fire

and desire

rises like the green

in spring.

 

8

Play it straight

as a tongue twister

 

I wish to wish the wish you wish to wish,

I wish to wish the wish you wish to wish,

 

We are working for our wishes,

9 to 5

5 days out of 7

50 weeks out of 52

90% of the world for the 10.

 

We watch the idle rich on private playgrounds

behind barbed fences

and wish we may and wish we might

for ways to make it right.

 

Our wish is to get inside that playpen too.

 

9

And why not all of us?

Come playmates!

 

we have nothing to lose

but our chains of seriousness.

 

Let us play and take back our playgrounds,

our homeland, our imagination

 

Let us play and be free!

 

10

It’s serious work.

It’s child’s play.


Go up

Reference

 

Endre Farkas.  "Canada Day."  PoemScape.  Ed.  Endre Farkas.  Montreal: Editorial Poetas Antiimperialistas de América.  Jul 1, 2005.
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Endre Farkas: Poems